Dealing with Writing Deadlines

 ISBN: 978-1-4930-0569-7
Release Date: October 7, 2014
 Globe Pequot/Lyons Press

The publisher gave us a choice of three awesome covers. It was a difficult decision, but we went with this one.

Now all I have to do is get the book written. The book sold on a proposal, which was the exciting part. So was getting the first part of the advance. But the proposal only had one of the sixteen chapters, so I'm still writing the others. That's the hard part. So is the tight deadline.

We wanted an October release to coincide with Domestic Violence Month, because many of the scenarios in the book are about relationships gone bad. Relationships that move from love to hate, or from friends to enemies. And when those relationships end, people can do all kinds of cruel things to get revenge. There are other scenarios in there too: teen bullies, coworker sabotage, and even cyber danger from strangers.

But to make an October release meant only a few months to write the book. And even worse, I had two other book deadlines between January and March. So I've been writing and writing and writing. That's the not-so-glamorous part of being an author. Working when you'd rather be playing. Editing when you'd rather be reading. Researching when you'd rather be sleeping.

So many people dream of being authors. They think it would be exciting to see their name on the cover of a book. And it certainly is. But most people don't think about the long hours of learning the craft, or of forcing yourself to write to make an approaching deadline, or of learning to take criticism so you can improve.

I belong to an online group of writers who all hope to be published someday. Some have succeeded, but others are newbies or working hard to get there. In December when I mentioned a tight deadline for some articles I was writing, one wanna-be author wrote: "I could never write anything under that kind of pressure."

I was tempted to write back that she should quit now, because if she reached her goal of getting an agent or editor, she'd find her whole life revolving around deadlines. Submission deadlines, editing deadlines, marketing deadlines... And if she sold more than one book, those deadlines might even overlap. Agents and editors don't want a one-book wonder. They want authors who will keep writing. Many authors sign a 2- or 3-book contract, which means even more deadlines, because usually book two is being written as book one is edited. Meanwhile book three is in the planning/outline stage. Once your book is accepted, there's no getting away from deadlines. So be sure that you really want to be published.

If you can't handle deadlines and pressure, you can still write. Write for yourself, for your family, for magazines that take completed articles. Write blogs, write for pleasure, write when the muse strikes. All of these are valid ways to enjoy your passion.

But when you long to see your byline on a book cover, be sure you understand the reality of getting to that point. Long hours of work and dedication to your craft. Participation in critique groups, attending writers conferences, submitting and getting rejected. And deadlines, deadlines, deadlines.

If you're willing to endure all of that, then you have what it takes to succeed. You will get there.

Can You Judge a Book by Its Cover?

What do the Bible, Mein Kampf, Harry Potter, Lady Chatterly's Lover, Doctor Zhivago, Grapes of Wrath, and Alice in Wonderland have in common? Well, for starters, they've all become classics. But they also have another common link. At one time or another, someone sought to ban them.

Books are often banned for their contents, but how many have been banned for their covers? Seems that’s the problem author Bonnie J. Doerr is facing.

The cover in question is on Island Sting (Leap Books, January 2010). Doerr, a former Science teacher, planned her fast-paced eco-mystery series for classroom use. Each book in the series features a different endangered animal and is accompanied by lesson plans for use across the curriculum. Doerr, who won a NOAA (National Oceanic and Atmospheric Administration) grant for her first book to be used in environmental education, did in-depth, on-location research for each book, and many educators have praised the book’s content.

But will her new, edgy cover mean that rather than supplementing the science curriculum, the book will be banned by schools?

If some teachers have their way, it will.


The teachers’ objections? Bullet holes and blood. Some cited school shootings and violence as a reason for not wanting this book in the classroom.

No author wants a reputation for promoting violence. But what if the book in question is about violence? In this case, a poacher is killing the endangered Key deer. The background of the cover is designed to resemble the Caution: Endangered Animal Area signs found in Key West, Florida, the book’s location. The bullet holes suggest the danger as do the swerving tire tracks and fleeing deer tracks.

So the cover seems appropriate for the subject matter. And Leap Books queried teens about the cover and found it particularly attracted the interest of teens who indicated that they rarely read. Here's hoping teachers recant and select the book for its content. They might be pleasantly surprised to find reluctant readers snatching up the book. And isn't that every teacher's goal--to get students to read more?